When it comes to guitar players, there is no one-size fits-all solution for choosing amplifiers. This includes rock and jazz guitar amplifiers. The amp that a heavy metal guitar player would use is different from the jazz. Guitar players have unique sounds that they prefer as well as its application.
The music you play and the venue you play in will model the amp that you need. There are various brand names that using different technologies as well as sound suited for specific types of music. Whether you are playing a soothing night of blues and jazz, a mosh pit, or a country barn opry, the amp you choose will make or break your shtick.
Just purchasing any amp without forethought is a bad idea. The performance and quality of the sound determines whether the gig is a fail. Amps have specific sounds, brands, layouts, and technology that make them unique from one another. Choosing the right amp will require one to familiarize himself with the distinguishable qualities of amps.
The wattage rates the amps used. The low watt tube amplifiers are robust models. The tube can distort loud volumes. Tube amps are great for studio use where harmonic quality is the key. Typically, the higher the wattage of an amp, the more power it has to push numerous speakers.
Tube and solid state amps have distinguishable qualities. The tube amps are much more expensive than the solid state amps, and they are of studio standards. As much as solid state amps try to mimic the harmonic qualities of tubes, it does not meet the bar set. Some solid states are good and suitable to match the harmonic qualities of a tube.
Micro amps and practice amps are about the same. They only push about 10-50 watts. These amps are not much good. Most of them are only good for practicing. Due to their size, micro amps are typically solid state amps.
The 1x12 amp uses a 12 inch speaker that can be deemed suitable for small gigs. They are useful for practice as well. They do not meet the bar to be useful in a large venue, but they can be hooked to large Pas via mi or line-out jacks. The tube 1x12 amps are very nice.
The 2 x 12 amp is ideal for medium-sized venues and studios. The cabinets work for many categories of music. When looking for that amp, do not confuse the terms head and amplifier. The head is an amplifier without a speaker, and numerous heads can be hooked up to play a stack or half stack speaker system. A typical head can run up to 400 watts for the speakers.
The cabinets can hold 4 to 6 12in speakers. The configurations of 4 12in speakers with multiple smaller speakers are called half stacks. Cabinets can use 200 watt heads that would be ideal for mid-sized to larger venues. A half stack is a cabinet with 4 12in speakers. Full stacks are twice the amount obviously. The full stacks are used by pro musicians in large music venues. The amps used are what separate the pros from the hobbyist.
The music you play and the venue you play in will model the amp that you need. There are various brand names that using different technologies as well as sound suited for specific types of music. Whether you are playing a soothing night of blues and jazz, a mosh pit, or a country barn opry, the amp you choose will make or break your shtick.
Just purchasing any amp without forethought is a bad idea. The performance and quality of the sound determines whether the gig is a fail. Amps have specific sounds, brands, layouts, and technology that make them unique from one another. Choosing the right amp will require one to familiarize himself with the distinguishable qualities of amps.
The wattage rates the amps used. The low watt tube amplifiers are robust models. The tube can distort loud volumes. Tube amps are great for studio use where harmonic quality is the key. Typically, the higher the wattage of an amp, the more power it has to push numerous speakers.
Tube and solid state amps have distinguishable qualities. The tube amps are much more expensive than the solid state amps, and they are of studio standards. As much as solid state amps try to mimic the harmonic qualities of tubes, it does not meet the bar set. Some solid states are good and suitable to match the harmonic qualities of a tube.
Micro amps and practice amps are about the same. They only push about 10-50 watts. These amps are not much good. Most of them are only good for practicing. Due to their size, micro amps are typically solid state amps.
The 1x12 amp uses a 12 inch speaker that can be deemed suitable for small gigs. They are useful for practice as well. They do not meet the bar to be useful in a large venue, but they can be hooked to large Pas via mi or line-out jacks. The tube 1x12 amps are very nice.
The 2 x 12 amp is ideal for medium-sized venues and studios. The cabinets work for many categories of music. When looking for that amp, do not confuse the terms head and amplifier. The head is an amplifier without a speaker, and numerous heads can be hooked up to play a stack or half stack speaker system. A typical head can run up to 400 watts for the speakers.
The cabinets can hold 4 to 6 12in speakers. The configurations of 4 12in speakers with multiple smaller speakers are called half stacks. Cabinets can use 200 watt heads that would be ideal for mid-sized to larger venues. A half stack is a cabinet with 4 12in speakers. Full stacks are twice the amount obviously. The full stacks are used by pro musicians in large music venues. The amps used are what separate the pros from the hobbyist.
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This article collected, selected and written by: Author Van Hoc
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